Last Remains |Grasp For Existence: The Demo Anthology (1991-1993) |Divebomb Records

Published on 28 March 2026 at 13:24

Release Date March 6th, 2026
Format Digital/CD (Limited Edition, 300 copies)
Genre Technical Thrash Metal
Country USA

Last Remains crawled out of the New Jersey underground around 1989. Guitarist Adam Tranquilli exited Blood Feast and teamed up with drummer Adam Kieffer, bassist Bob McLynn, and vocalist Rich Caputo. They hunted for a heavy melodic thrash sound, stepping away from terminal speed metal. After dropping a two-song demo in 1991, they swapped Caputo for a new singer and tracked the 1992 demo "Grasp For Existence". The new guy disappeared soon after, leaving Tranquilli and McLynn to split vocals on 1993's "…And Then There Were Three". The trio eventually morphed into Headlock, dropped an album in 1994, and evolved into other projects like Triggerfish and The Step Kings.

Divebomb dragged this stuff out of the vaults for a massive sixteen-track CD. Listening to "Grasp For Existence: The Demo Anthology (1991-1993)" gives you the actual progression of a band figuring out their riffing identity over three years. The early 1991 material crashes through the speakers with rough edges and serious speed metal thrashing. When you get to the 1992 tracks, the guitars take strange technical detours. They throw weird rhythmic turns at you, getting tricky without turning into total math metal nerds.

The vocal shifts across these demos keep the compilation interesting. The first singer yells out aggressive thrash vocals. The second singer steps in and brings a totally different approach. By the time the 1993 demo kicks in with tracks like "Too Much Power", the groove metal disease infects the songwriting. Last Remains slows things down and throws heavy, churning riffs into the mix. Hear them morph from standard technical thrashers into a heavier, stomping machine. Divebomb added rare four-track sessions to close out the disc, throwing extra dirt onto the pile.

Jamie King gave this entire package a killer remastering job. The audio thumps through the speakers, making these garage tapes sound punishing and loud. A twenty-page booklet comes stuffed with flyers and an interview, giving maniacs everything they need. The compilation presents an awesome, unedited look at underground metal evolution. Some tracks shred harder than others, seeing as these are demo tapes mashed together. You hear the growing pains of a band figuring things out. The songs rule and the riffs rip, providing a true raw view of guys grinding it out in the rehearsal room. Get this CD and blast it.

Score: 7.5

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