In Vespro |Where Silence Used To Sleep |Meuse Music Records

Published on 7 June 2026 at 16:07

Release Date June 19th, 2026
Format CD
Genre Doom/Death Metal
Origin Italy

In Vespro formed in 2025 in Rome, Italy, with members connected to Svart Vinter, Veil Of Conspiracy, and Handful Of Hate. The band is made of Luca Gagnoni on vocals, lead and rhythm guitars, Emanuela Marino on rhythm guitars, Daniele Mielert on bass, and Diego Tasciotti on drums. Their name enters the doom/death field with a clear link to the early 90s school, shaped through slow tempos, bleak atmosphere, harsh vocals, and a severe emotional core.

Svart Vinter, Veil Of Conspiracy, and Handful Of Hate belong to the Italian extreme metal underground, each connected to darker and heavier forms of expression. That background gives In Vespro a base that is already familiar with cold atmosphere, harsh delivery, and underground spirit. Here, that past is taken into a slower, more sorrowful direction, where space, decay, and inner collapse matter more than speed.

"Where Silence Used To Sleep" is a cold and serious doom/death album, built on slow movement, painful melodies, and growls that sit inside the music like another layer of ruin. The album sinks into one long state of grief, loss, and empty space, and it stays there with stubborn discipline. It needs patience, and that patience pays off.

The early Katatonia, My Dying Bride and Anathema traces are clear, especially in the stripped doom/death character, the crawling pace, and the refusal to brighten the atmosphere. The reference to "Brave Murder Day" makes sense, since the music leans into slow riffs, circular movement, and a hypnotic sense of decay. In Vespro takes that language and give it a personal, introspective shape. The album does not explode, it fades, sinks, and corrodes.

The vocals are all growls and screams, with no melodic relief, and that choice gives the album a colder, more alien character. They are not placed above the music like a separate weapon, they are buried inside it, almost like a human presence already losing form. The guitars create mournful lines and long shadows, the bass gives the songs depth, and the drums move with restraint, never breaking the album’s drained atmosphere.

Lyrically, "Where Silence Used To Sleep" circles around absence, ashes, fading light, oceans, dust, memory, and the collapse of identity. It does not tell a simple story. It builds a mental place where everything seems half erased. Silence is not empty here, it becomes the main force of the album, covering the music and pulling it deeper into isolation. That idea is handled with taste, without cheap gothic decoration.

The production helps the album stay bleak and immersive. Mixed and mastered by Luca Gagnoni at Mørknatt Studio, the sound has enough space to let the riffs stretch and decay, while the harsh vocals remain buried in the overall atmosphere. "Where Silence Used To Sleep" is a very strong doom/death release. It has character, atmosphere, and a clear artistic direction. Some listeners may want more variation across the album, since it stays locked in its own grey world for the whole ride. Still, for this style, that choice gives the album its identity. In Vespro has made a grim, immersive, and serious work that respects the old doom/death era without turning into a copy.

|8.3

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