Devils Victim |Devils Victim |Self-release/Drugula’s Crypt

Published on 12 July 2026 at 15:58

Release Date May 15th, 2026
Format Digital/Cassette
Genre Doom Metal
Origin Australia

Devils Victim comes from Adelaide, Australia, and operates as a duo built around Phil Howlett and Shayne Joseph. Howlett handles guitars, bass, keyboards, drums, and vocals, while Joseph supplies the lead guitar work. That division gives the project a compact shape, with most of the album created from one central musical hand and the lead guitar serving as the main second voice. "Devils Victim" arrives independently in digital form, with a limited cassette edition planned through Drugula’s Crypt at a later date. Across six songs and 32 minutes, the album stays close to traditional heavy metal and doom metal, drawing on slow riffs, mid paced marches, minor key guitar lines, plain spoken choruses, and raw homegrown production.

The mix places the guitars and vocals at the front, while the rhythm section provides a basic, steady frame underneath. The lyrical imagery circles execution, sin, punishment, Satanic metal worship, and fatalism, with titles such as "Brazen Bull", "A Sinner's Grave", "Metal For Satan", and "The Eyes Of Doom" spelling out the album’s chosen territory before a note is heard. The arrangements remain guitar led, with keyboards used sparingly and lead guitar added as contrast, not as constant decoration. This is underground metal made on a small scale, with little concern for fashionable production standards or elaborate arrangement tricks.

The vocals are rough, limited in range, and occasionally sit too high in the mix, though their worn, plain delivery belongs to the album’s underground character. The drums do their job, mainly marking the pace and reinforcing the riffs, though several sections would gain from more dynamic accents and less reliance on the same measured pulse. Song structures often stretch past the point where the central riff has made its case, especially across the longer cuts, and some transitions arrive with little preparation. The keyboards appear in restrained doses, adding an occult shade without turning the album into symphonic metal.

"Devils Victim" is a respectable underground heavy metal release with doom shading, credible riff craft, and a raw presentation. It is uneven, occasionally static, and limited by its production, though it has enough character and songwriting value to warrant more than a casual pass. This is not elite material, and it needs sharper editing, a broader vocal attack, and a mix with more separation. Devils Victim has produced a competent release that sits comfortably above average and leaves a workable base for whatever comes next.

|7.0

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