ITHOM |End Credits |Self-release

Release Date February 13^th, 2026
Format Digital
Genre Funeral Death/Doom/Drone Extreme Metal
Country United States

ITHOM, standing for In This House Of Mourning, operates out of New York under the guidance of multi-instrumentalist Ben Ianuzzi. The project functions as a relentless extreme metal act, drawing heavily from funeral doom, death metal, and harsh noise. "End Credits" serves as their newest release, pointing a harsh light at the self-imposed destruction of modern society. The foundation relies on utter pessimism regarding humanity, portraying a world chained to its own miserable consequences.

The music presents an extreme division in sound, launching an intense, ripping assault before dissolving into prolonged analog synthesizer exploration. The metal portions feature jarring, dissonant lead guitar work paired with harmonized sections. The guitars rely on an atonal chromatic progression designed to induce a trance state, dragging the listener into an auditory nightmare. Lyrically, the vocals paint a grim picture of human decay, portraying society soaking in a slime of its own making.

Eventually, the release abandons metal instrumentation for a massive wall of oscillation. This electronic transition heavily utilizes extended drone sequences and fuzzed-out analog electronics. Real interview samples from infamous historical figures are layered throughout the frequencies, providing a disturbing commentary on mass belief systems and modern terrors. The hissing frequencies form a punishing backdrop to these spoken words, demanding a dedicated listening session to absorb the immense volume of sound.

ITHOM delivers a harsh, uncompromising vision on this release. Throwing lightning-fast metal right against a massive block of electronic noise results in a stark, jarring contrast. "End Credits" becomes a genuinely challenging listen, demanding serious patience for the extensive, ear-piercing synth manipulations. The sheer punishment of the audio works for the most part, hammering home a thoroughly bleak perspective. It is a completely uncommercial, punishing trip for listeners sick of the mainstream.

Score: 7.0