Release Date March 27th, 2026
Format CD/LP/Digital
Genre Industrial/Black Metal
Origin Sweden
DomJord started as a side project for Daniel Rostén, better known as the frontman of Funeral Mist and Marduk, but it has quickly evolved into a distinct beast of its own. Shifting away from the orthodox black metal speed he is famous for, this project explores the cold, mechanical side of dark music. With two previous records already establishing a bleak, electronic-influenced foundation, this third outing aims to deepen that immersion into a world of soot and gears.
"Morgonglöd" functions as a grim tribute to the age of industry, and the music reflects that scorched-earth mentality. The atmosphere is freezing and mechanical, built on rhythmic pulses that mimic the heavy clanking of machinery in a forgotten factory. It isn't fast, but it possesses a relentless momentum that drags you through a landscape of iron and ash. The vocal presence is distant and haunting, providing a layer of human misery to the otherwise sterile, metallic environment.
The tracks "Kol" and "Eld" set a grim pace, utilizing repetitive, hypnotic structures that force you into a trance-like state. There is a specific kind of coldness here that feels very Swedish, avoiding any warmth or comfort. The production is sharp and cold, emphasizing the clatter of the percussion and the droning resonance of the synthesizers. It is the kind of record that demands blackened room and a total lack of distractions to fully appreciate the desolation it projects.
As the album progresses through "Masugn" and "Rök," the intensity shifts into a more claustrophobic territory. The layering of sounds creates a feeling of being trapped within a giant, malfunctioning engine. It is impressive how Rostén manages to evoke such a strong sense of decay without relying on the typical tropes of his main bands. The focus stays on the texture of the sound, making the metal elements feel like they are being crushed under the weight of an automated press.
The final stretch, including "Blåsbälg" and "Stål," hammers home the concept of the industrial revolution as the beginning of the end. The rhythms are steady and unforgiving, acting as a countdown to a societal collapse. It is a bleak experience, devoid of hope, which is exactly what you want from a project like this. While it lacks the sheer violence of black metal, the psychological pressure it applies is just as heavy, leaving a bitter taste of rust in the air long after the last note fades.
Overall, this is a strong addition to the NoEvDia catalog and a mandatory listen for anyone who prefers metal infused with the stench of oil and smoke. It succeeds in creating a specific, blackened industrial environment that is hard to escape. It won't be for everyone, especially those looking for traditional riffs, but for the rest of us who appreciate a descent into the maw of a furnace, it hits the mark.
Damage done @: 7.5
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